The Grove Dictionary of Musical Instruments, 2nd edition, is the largest, most comprehensive reference publication on musical instruments of the world yet produced. Thirty years ago, the three-volume first edition of the dictionary was met with wide acclaim and went on to become an essential library research tool. This second edition reflects the growth of the scope and methodologies of the field of organology in the last three decades. At five volumes, the second edition provides greatly expanded coverage of instruments from around the world and their builders, with special attention to electronic and experimental instruments; the human body as instrument; the history and techniques of instrument design and manufacture; performance practice; and scholars whose work has shaped our understanding of musical instruments. The dictionary compiles essential information about the most important instruments worldwide, as well as a representative selection of lesser-known instruments of particular significance. Its core content, articles on instruments and their makers, is expanded and supported with articles addressing the cultural role of instruments throughout history and across the globe, with special attention to the development of organology in the thirty years since the first edition. Through the systematic study of the history of musical instruments and their design, technologies, and functions, the dictionary seeks to map the directions in which this field is growing in the 21st century, and to encourage further research. The dictionary's articles are supplemented by over 600 images and 190 musical examples, an index, abbreviations lists, and list of contributors. . With well-researched, informative articles by over 1000 authors, including most of the top scholars in the field, The Grove Dictionary of Musical Instruments is an essential tool not just for students and scholars of organology, musicology, ethnomusicology and anthropology, but for performers and the general public as well.

Titles in Dictionaries for the Modern Musician series offer both the novice and the advanced artist key information designed to convey the field of study and performance for a major instrument or instrument class, as well as the workings of musicians in areas from conducting to composing. Unlike other encyclopedic works, contributions to this series focus primarily on the knowledge required by the contemporary musical student or performer. Each dictionary covers topics from instrument parts to playing technique and major works to key figures. A must-have for any musician's personal library Trumpeters today perform a vast repertoire of musical material spanning 500 years, much of it in a variety of styles and even on a number of related instruments. In A Dictionary for the Modern Trumpet Player, scholar and performer, Elisa Koehler has created a key reference work that addresses all of the instruments in the high brass family, providing ready answers to issues that trumpeters, conductors, and musicians commonly--and sometimes not so commonly--encounter. Drawing on a broad range of scholarly sources, A Dictionary for the Modern Trumpet Player includes entries on historic instruments like the cornetto, keyed bugle, and slide trumpet; jazz trumpet techniques; mutes and accessories; and ancient ancestors of the trumpet and related non-Western instruments. In addition to its concise and detailed definitions, this work includes biographies of prominent performers, teachers, instrument makers, and composers of trumpet solo and ensemble literature often omitted from other musical references. Carefully labeled illustrations illuminate the inner workings of various valve mechanisms, allowing readers to visualize the more technical points of high brass instruments. Appendixes include a time line of trumpet history, a survey of valve mechanisms, a list of prominent excerpts from the orchestral and operatic repertoire, and an extensive bibliography. From quick definitions of confusing terms in a musical score to an in-depth overview of trumpet history, A Dictionary for the Modern Trumpet Player is an ideal reference for students, professionals, and music lovers.

(Meredith Music Percussion). Confused with the growing list of percussion instruments and terms? This new Meredith publication provides both definitions and an artistic interpretation of how each term is applied to the literature. A great source for conductors, composers, performers and students.

The trombone has frequently been relegated to the status of footnotes and afterthoughts in much of the research on brass instruments. This book is designed to feature the trombone, its history, music, performers, performance practices (including jazz performance), instruments and equipment, and pedagogical topics that are of concern to those who teach the instrument. The book may be used by trombonists and the broader research community who are interested in finding material both common and arcane about the trombone. The information may be perused at three levels: browsing through the broad classifications of each chapter; checking for cross-listings in the annotations; and using the index which is keyed to the author, subject, and keyword line at the end of each annotation. The book also includes four appendixes: the first identifies relevant periodicals and journals; the second lists obituaries of trombonists not included in biographical citations; the third lists presidents of the International Trombone Association; the fourth lists recipients of the ITA Award.

This comprehensive, annotated resource of solo repertoire for the horn documents in detail the rich catalogue of original solo compositions for the instrument. Intended as a guide for practical use and easy reference, it is organized into three large sections: works for unaccompanied horn, works for horn and keyboard, and works for horn and ensemble. Each entry includes publisher information, a brief description of the form and character of a work, technical details of the horn writing, and information on dedication and premiere. The authors also include commentary on the various techniques required and the performance challenges of each piece. Representing over ten years of careful compilation and notation by an expert in horn performance and pedagogy, and by a seasoned music librarian and natural horn performer, Guide to the Solo Horn Repertoire will be an invaluable resource for performers, educators, and composers.

Guide to the Euphonium Repertoire is the most definitive publication on the status of the euphonium in the history of this often misunderstood and frequently under-appreciated instrument. This volume documents the rich history, the wealth of repertoire, and the incredible discography of the euphonium. Music educators, composers/arrangers, instrument historians, performers on other instruments, and students of the euphonium (baritone horn, tenor tuba, etc.) will find the exhaustive research evident in this volume's pages to be compelling and comprehensive. Contributors are Lloyd Bone, Brian L. Bowman, Neal Corwell, Adam Frey, Marc Dickman, Bryce Edwards, Seth D. Fletcher, Carroll Gotcher, Atticus Hensley, Lisa M. Hocking, Sharon Huff, Kenneth R. Kroesche, R. Winston Morris, John Mueller, Michael B. O'Connor, Eric Paull, Joseph Skillen, Kelly Thomas, Demondrae Thurman, Matthew J. Tropman, and Mark J. Walker.

Guide to the Tuba Repertoire is the most comprehensive investigation ever undertaken into the literature and discography of any single musical instrument. Under the direction of R. Winston Morris and Daniel Perantoni, this publication represents more than 40 years of research by dozens of leading professionals throughout the world. The guide defines the current status of the tuba and documents its growth since its inception in 1835. Contributors are Ron Davis, Jeffrey Funderburk, David Graves, Skip Gray, Charles A. McAdams, R. Winston Morris, Mark A. Nelson, Timothy J. Northcut, Daniel Perantoni, Philip Sinder, Joseph Skillen, Kenyon Wilson, and Jerry A. Young.